Eguchi, M. & Okada, T. (2010). Art-ethnography to Analyze the Role of Sketches in Car Designing. Short Presentation of The First International Conference on Design Creativity, Kobe International Conference Center, Kobe, JAPAN.
Okada, T., Yokochi, S., Ishibashi, K., & Ueda, K. (2009). Analogical modification in the creation of contemporary art. Cognitive Systems Research, 10, 189-203.
Okada, T., Yokochi, S., Ishibashi, K., Namba, K., & Ueda, K. (2007). Analogical modification in the creation of contemporary art. In Schwering, A., Krumnack, U., Kühnberger, K., & Gust, H., (Eds.) Analogies: Integrating multiple cognitive abilities. Publication series of the Institute of Cognitive Science, University of Osnabrück, Vol. 5. (The Twenty-ninth Annual Meeting of the Cognitive Science Society, 2007, Tutorial Workshop on Analogy)
Ishibashi, K. & Okada, T. (2006). Exploring the effect of copying incomprehensible exemplars on creative drawings. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 1545-1550.
Yokochi, S. & Okada, T. (2006). Arists' long-term process for making art. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 2635.
Yokochi, S. & Okada, T. (2006). Formation process of artists’ long-term intention. Poster presented at the International Symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Yokochi, S. & Okada, T. (2005). Creative cognitive process of art making:A field study of a traditional Chinese ink painter. Creativity Research Journal, 17, 241-255. [PDF Full paper (316KB)]
Ishibashi, K. & Okada, T. (2004). How copying artwork affects students' artistic creativity. Proceedings of the Twenty-sixth Annual Meeting of the Cognitive Science Society, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Yokochi, S. & Okada, T. (2004). Cognitive processes of artistic creation: A field study of a traditional Chinese ink painter's drawing process. Proceedings of Twenty-sixth Annual Meeting of the Cognitive Science Society, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Okada, T., Ishibashi, K., Tohara, K. & Mitchell, B. (2004). Something old, something new, something borrowed (nothing blue)”: Exploring “ creativity” and “originality” in the 21st century. In the Proceedings of the 2004 Hawaii International Conference on Arts and Humanities, Honolulu, USA.
Ishibashi, K. & Okada, T. (2003). Can copying a new style of drawing relax students' constraints and facilitate their artistic creativity? Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia .
Yokochi, S. & Okada, T. (2003). A field study of a traditional Chinese ink painter's drawing process. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia.
Mitchell, B., Okada, T., Takagi(Yokochi), S., & Tohara, K. (2003). What is on your mind?: Process and meaning in contemporary Japanese art. In the Proceedings of the 2003 Hawaii International Conference on Arts and Humanities, Honolulu, USA.
Okada, T. & Ishibashi, K. (2003). Creativity by copying: How examples inspire innovation. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Ishibashi, K. & Okada, T. (2003). A case study of students’ creative drawing with copying experience. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Yokochi, S. & Okada, T. (2003). How does an artist create art? : A field study of a traditional Chinese ink painter’s drawing process. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Agata, T. & Okada, T. (2006). How does information about creative process affect audience appreciation of artwork? Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 949-954.
Okada, T. & Agata, T. (2006). How does information about creation process affect audience appreciation of artwork? Paper presented at the International symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Agata, T. & Okada, T. (2006). Becoming familiar with art and artists through understanding the process. Poster presented at the International Symposium on Leaning in museums and everyday settings. Tokyo. July, 2006.
Kobayashi, F. & Okada, T. (2006). A explorative study about the strategies of serendipitous discovery. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 2535.
Yamanouchi,Y. & Okada,T. (2006). Museums as an interface between science and the public : Lessons from fraud in Japanese archeology, Poster presented at the International Symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Schunn, C. D., Crowley, K., & Okada, T. (2005). Cognitive Science: Interdisciplinarity now and then. In S. J. Derry & M. A. Gernsbacher (Eds.), Interdisciplinary Collaboration: An Emerging Cognitive Science (pp. 287-315). Mahwah, NJ: Erlbaum.[書籍の詳細を見る]
Yamanouchi, Y. & Okada, T. (2004). Formation processes of a Validity-Boundary: A case study of Japanese archeological community. Proceedings of Society for Social Studies of Science 2004 Annual Meeting and The European Association for the Study of Science and Technology 2004 Annual Meeting.
Yamanouchi, Y., & Okada, T. (2003). A case study of the formation process of Validity-Boundary. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia.
Kiyokawa, S., Ueda, K., & Okada, T. (2003). The effect of meta-cognitive suggestions on viewpoint change in collaborative problem solving. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia .
Yamanouchi, Y., & Okada, T. (2003). The formation process of Validity-Boundary in an archeological community. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Kiyokawa, S., Ueda, K. & Okada, T. (2003). The effect of meta-cognitive suggestions on viewpoint change in collaborative problem solving. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Schunn, D. C., Crowley, K., & Okada, T. (2002). What makes collaborations across a distance succeed? The case of the cognitive science community. In P. J. Hinds & S. Kiesler (Eds.), Distributed work (pp. 407-432). Cambridge, MA: MIT Press. [書籍の詳細を見る]
K. Crowley, C. D. Schunn, & T. Okada (Eds.) (2001). Designing for Science: Implications from everyday, classroom, and professional settings. Mahwah, NJ: Erlbaum. [書籍の詳細を見る]
Okada, T. & Shimokido, T. (2001). The role of hypothesis formation in a community of psychology. In K. Crowley, C. D. Schunn, & T. Okada (Eds.), Designing for Science: Implications from everyday, classroom, and professional settings (pp. 445-464). Mahwah, NJ: Erlbaum. [書籍の詳細を見る]
岡田猛・Crowley, K. (2000). 面白い研究のやり方:発達心理学における二つのアプローチの研究者へのインタビューに基づいて 小嶋秀夫・速水敏彦・本城秀次(編)人間発達と心理学 35-53, 金子書房 [書籍の詳細を見る]
Okada, T. & Shimokido, T. (2000). Hypothesis-testing method in a community of psychologists. Proceedings of the Twenty-second Annual Conference of the Cognitive Science Society, 835-840, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Schunn, C. D., Crowley, K., & Okada, T. (1998). The growth of multidisciplinarity in the Cognitive Science Society. Cognitive Science, 22, 107-130.
Okada, T. & Simon, H. A. (1997). Collaborative discovery in a scientific domain. Cognitive Science, 21(2), 109-146.
Okada, T. & Crowley, K. (1996). Capturing collaboration: An introduction to the special issue. Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 3(4), 3-6.
Miwa, K. & Okada, T. (1996). Effective heuristics for hypothesis testing: An empirical discussion using computer simulation method. Japanese Journal of Artificial Intelligence, 11(6), 877-887.
Schunn, C. D., Okada, T., & Crowley, K. (1995). Is cognitive science truly interdisciplinary?: The case of interdisciplinary collaborations. Proceedings of the Seventeenth Annual Conference of the Cognitive Science Society, 100-105, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Okada, T. & Simon, H.A. (1995). Collaborative discovery in a scientific domain. Proceedings of the Seventeenth Annual Conference of the Cognitive Science Society, 340-345, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Okada, T. (1994). Collaborative concept discovery in a scientific domain. Ph.D. thesis. Department of Psychology, Carnegie Mellon University.
Okada, T. & Klahr, D. (1991). Searching an hypothesis space when reasoning about buoyancy forces: The effect of feedback. Proceedings of the Thirteenth Annual Conference of the Cognitive Science Society, 842-846, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Schunn, C. D., Crowley, K., & Okada, T. (2005). Cognitive Science: Interdisciplinarity now and then. In S. J. Derry & M. A. Gernsbacher (Eds.), Interdisciplinary Collaboration: An Emerging Cognitive Science (pp. 287-315). Mahwah, NJ: Erlbaum. [書籍の詳細を見る]
Schunn, D. C., Crowley, K., & Okada, T. (2002). What makes collaborations across a distance succeed? The case of the cognitive science community. In P. J. Hinds & S. Kiesler (Eds.), Distributed work (pp. 407-432). Cambridge, MA: MIT Press.
K. Crowley, C. D. Schunn, & T. Okada (Eds.) (2001). Designing for Science: Implications from everyday, classroom, and professional settings. Mahwah, NJ: Erlbaum. [書籍の詳細を見る]
Okada, T. & Shimokido, T. (2001). The role of hypothesis formation in a community of psychology. In K. Crowley, C. D. Schunn, & T. Okada (Eds.), Designing for Science: Implications from everyday, classroom, and professional settings (pp. 445-464). Mahwah, NJ: Erlbaum. [書籍の詳細を見る]
Okada, T., Yokochi, S., Ishibashi, K., & Ueda, K. (2009). Analogical modification in the creation of contemporary art. Cognitive Systems Research, 10, 189-203.
Yokochi, S. & Okada, T. (2005). Creative cognitive process of art making:A field study of a traditional Chinese ink painter. Creativity Research Journal, 17, 241-255. [PDF Full paper (316KB)]
Schunn, C. D., Crowley, K., & Okada, T. (1998). The growth of multidisciplinarity in the Cognitive Science Society. Cognitive Science, 22, 107-130.
Okada, T. & Simon, H. A. (1997). Collaborative discovery in a scientific domain. Cognitive Science, 21(2), 109-146.
Okada, T. & Crowley, K. (1996). Capturing collaboration: An introduction to the special issue. Cognitive Studies: Bulletin of the Japanese Cognitive Science Society, 3(4), 3-6.
Miwa, K. & Okada, T. (1996). Effective heuristics for hypothesis testing: An empirical discussion using computer simulation method. Japanese Journal of Artificial Intelligence, 11(6), 877-887.
Okada, T. (1994). Collaborative concept discovery in a scientific domain. Ph.D. thesis. Department of Psychology, Carnegie Mellon University.
査読付き国際学会発表
Eguchi, M. & Okada, T. (2010). Art-ethnography to Analyze the Role of Sketches in Car Designing. Short Presentation of The First International Conference on Design Creativity, Kobe International Conference Center, Kobe, JAPAN.
Okada, T., Yokochi, S., Ishibashi, K., Namba, K., & Ueda, K. (2007). Analogical modification in the creation of contemporary art. In Schwering, A., Krumnack, U., Kühnberger, K., & Gust, H., (Eds.) Analogies: Integrating multiple cognitive abilities. Publication series of the Institute of Cognitive Science, University of Osnabrück, Vol. 5. (The Twenty-ninth Annual Meeting of the Cognitive Science Society, 2007, Tutorial Workshop on Analogy)
Agata, T. & Okada, T. (2006). How does information about creative process affect audience appreciation of artwork? Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 949-954.
Ishibashi, K. & Okada, T. (2006). Exploring the effect of copying incomprehensible exemplars on creative drawings. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 1545-1550.
Ishibashi, K. & Okada, T. (2004). How copying artwork affects students' artistic creativity. Proceedings of the Twenty-sixth Annual Meeting of the Cognitive Science Society, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Yokochi, S. & Okada, T. (2004). Cognitive processes of artistic creation: A field study of a traditional Chinese ink painter's drawing process. Proceedings of Twenty-sixth Annual Meeting of the Cognitive Science Society, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Yamanouchi, Y. & Okada, T. (2004). Formation processes of a Validity-Boundary: A case study of Japanese archeological community. Proceedings of Society for Social Studies of Science 2004 Annual Meeting and The European Association for the Study of Science and Technology 2004 Annual Meeting.
Okada, T., Ishibashi, K., Tohara, K. & Mitchell, B. (2004). Something old, something new, something borrowed (nothing blue)”: Exploring “ creativity” and “originality” in the 21st century. In the Proceedings of the 2004 Hawaii International Conference on Arts and Humanities, Honolulu, USA.
Ishibashi, K. & Okada, T. (2003). Can copying a new style of drawing relax students' constraints and facilitate their artistic creativity? Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia .
Yokochi, S. & Okada, T. (2003). A field study of a traditional Chinese ink painter's drawing process. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia.
Yamanouchi, Y., & Okada, T. (2003). A case study of the formation process of Validity-Boundary. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia.
Kiyokawa, S., Ueda, K., & Okada, T. (2003). The effect of meta-cognitive suggestions on viewpoint change in collaborative problem solving. Proceedings of the Joint International Conference on Cognitive Science (ICCS/ASCS-2003), Sydney, Australia .
Mitchell, B., Okada, T., Takagi(Yokochi), S., & Tohara, K. (2003). What is on your mind?: Process and meaning in contemporary Japanese art. In the Proceedings of the 2003 Hawaii International Conference on Arts and Humanities, Honolulu, USA.
Okada, T. & Shimokido, T. (2000). Hypothesis-testing method in a community of psychologists. Proceedings of the Twenty-second Annual Conference of the Cognitive Science Society, 835-840, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Schunn, C. D., Okada, T., & Crowley, K. (1995). Is cognitive science truly interdisciplinary?: The case of interdisciplinary collaborations. Proceedings of the Seventeenth Annual Conference of the Cognitive Science Society, 100-105, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Okada, T. & Simon, H.A. (1995). Collaborative discovery in a scientific domain. Proceedings of the Seventeenth Annual Conference of the Cognitive Science Society, 340-345, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
Okada, T. & Klahr, D. (1991). Searching an hypothesis space when reasoning about buoyancy forces: The effect of feedback. Proceedings of the Thirteenth Annual Conference of the Cognitive Science Society, 842-846, Lawrence Erlbaum Associates, Inc. Hillsdale, NJ.
国際学会(査読無し)及び国際シンポジウム等発表
Kobayashi, F. & Okada, T. (2006). A explorative study about the strategies of serendipitous discovery. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 2535.
Yokochi, S. & Okada, T. (2006). Arists' long-term process for making art. Proceedings of the Twenty-eighth Annual Meeting of the Cognitive Science Society, 2635.
Okada, T. & Agata, T. (2006). How does information about creation process affect audience appreciation of artwork? Paper presented at the International symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Agata, T. & Okada, T. (2006). Becoming familiar with art and artists through understanding the process. Poster presented at the International Symposium on Leaning in museums and everyday settings. Tokyo. July, 2006.
Yamanouchi,Y. & Okada,T. (2006). Museums as an interface between science and the public : Lessons from fraud in Japanese archeology, Poster presented at the International Symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Yokochi, S. & Okada, T. (2006). Formation process of artists’ long-term intention. Poster presented at the International Symposium on Learning in museums and everyday settings. Tokyo. July, 2006.
Okada, T. & Ishibashi, K. (2003). Creativity by copying: How examples inspire innovation. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Ishibashi, K. & Okada, T. (2003). A case study of students’ creative drawing with copying experience. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Yokochi, S. & Okada, T. (2003). How does an artist create art? : A field study of a traditional Chinese ink painter’s drawing process. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Yamanouchi, Y., & Okada, T. (2003). The formation process of Validity-Boundary in an archeological community. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.
Kiyokawa, S., Ueda, K. & Okada, T. (2003). The effect of meta-cognitive suggestions on viewpoint change in collaborative problem solving. Proceedings of The International Symposium on Cognitive Approaches to Creative Processes, Gifu, Japan.